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Definition and Examples of Literary Terms Romeo and Juliet Oxymoron A concise paradox comprising two opposite terms is called an oxymoron. An oxymoron can either be a phrase, or a sentence. Within a dramatic text, an oxymoron is often incorporated to highlight the complexity underlying an idea.
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O anything, of nothing first create! O heavy lightness, serious vanity, Misshapen chaos of well-seeming forms, Feather of lead, bright smoke, cold fire, sick health, Still-waking sleep, that is.
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oxymoron-"Here's much to do with hate, but more with love Why then, O brawling love, O loving hate, O anything, of nothing first create! O heavy lightness, serious vanity, Misshappen chaos of well-seeming forms, Feather of lead, bright smoke, cold fire, sick health, still-wakening sleep, that is not what it is! this love feel i, that feel no love back. dost thou not laugh?
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On pain of torture, from those bloody hands. Throw your mistempered weapons to the ground, And hear the sentence of your movèd prince. Three civil brawls, bred of an airy word, 80 By thee, old Capulet, and Montague, Have thrice disturbed the quiet of our streets. And made Verona's ancient citizens.
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O any thing, of nothing first created: O anything, of nothing first create! RJ I.i.177: O heauie lightnesse, serious vanity, O heavy lightness, serious vanity, O (int.) vocalization used before a direct address [to a person, thing, concept, etc] RJ I.i.178: heavy (adj.)
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O anything of nothing first create" (I.i.168-172). The above passage establishes the reason behind the use of the oxymorons in the lines to follow. Romeo is amazed that there is such a fine line.
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William Shakespeare Track 3 on Romeo and Juliet Produced by The Globe Theater In the first proper scene from the play, we're introduced to the feud between the Montagues and Capulets via some.
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Why then, O brawling love, O loving hate! / O anything, of nothing first create / O heavy lightness, serious vanity, / Misshapen chaos of well-seeming forms!" (Romeo, I.i.178-187)., Juliet's reaction to marriage—"It is an honour that I dream not of" (Juliet, I.iii.71)., "I'll look to like, if looking liking move, / But no more deep will I.
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Characters in the Play Act 1, scene 1 ⌜ Scene 1 ⌝ Synopsis: A street fight breaks out between the Montagues and the Capulets, which is broken up by the ruler of Verona, Prince Escalus. He threatens the Montagues and Capulets with death if they fight again.
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O anything of nothing first created, O heavy lightness, serious vanity, Misshapen chaos of well-seeming forms, Feather of lead, bright smoke, cold fire, sick health, Still-waking sleep that is not what it is. This love feel I, that feel no love in this. Romeo's comment that the brawl had more to do with love than with hate seems strange.
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O anything, of nothing first create! O heavy lightness! serious vanity! Misshapen chaos of well-seeming forms! Feather of lead, bright smoke, cold fire, sick health! Still-waking sleep, that is not what it is This love feel I, that feel no love in this. Dost thou not laugh? BENVOLIO. No, coz, I rather weep.
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are ever thrust to the wall. Therefore I will push Montague's men from the wall, and thrust his maids to the wall. Gregory The quarrel is between our masters and us, their men. Sampson 'Tis all one, I will show myself a tyrant. When I
Socrates Quote “I only know one thing, and that is I know nothing.”
During Romeo's first appearance in the play, in Act 1, Scene 1, he laments his unrequited love for Rosaline and comments on the Montague-Capulet feud—which he finds distasteful—through the use of numerous oxymorons: Here's much to do with hate, but more with love. Why then, O brawling love, O loving hate, O anything of nothing first create!
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/ Why then, O brawling love, O loving hate, / O any thing, of nothing first create." the device Shakespeare uses to show the negative side of love is an oxymoron. By placing opposites side by side.
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175 'O anything of nothing first create!' - 'O anything that is first created out of nothing.' The phrase fits the 'love' expressed in the street brawl perfectly, since it was itself the consequence of 'nothing' - Sampson biting his thumb. The paradox here is that proverbially 'nothing can come of nothing'.
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O anything of nothing first created, O heavy lightness, serious vanity, Misshapen chaos of well-seeming forms, Feather of lead, bright smoke, cold fire, sick health, Still-waking sleep that is not what it is. This love feel I, that feel no love in this.